The festival went very, very well. The organizers, Laura Azevedo and Natalia Morgan from Filmmakers Collaborative, working with WGBH, did an extraordinary and outstanding job producing an online film festival, no easy feat, but especially during a global pandemic! I was able to view many of the films and they were wonderfully entertaining and inspiring. I am so proud Beauty on the Wing was a part of the BIKFF 2020!
Wishing you a Happy Thanksgiving, wherever that may be during these most challenging of days.
Gloucester resident Kim Smith will showcase her film on butterflies at the Boston International Kids Film Festival on Saturday, Nov. 21
Smith’s “Beauty on the Wing: Life Story of the Monarch Butterfly” is a 56-minute narrated film featuring visuals of Cape Ann and Mexico’s volcanic mountains.The film explores the life journey of the monarch butterfly from birth, and talks about environmental impacts that led to it being an endangered species.
“I think butterflies are beautiful. They make a garden come to life,” Smith said.
The picture will not only share information about monarchs, but will bring attention to other endangered species as well, said Smith.
The film is 10 years in the making, she said. The idea of the film came to her in 2006 when Smith was writing a book about monarch butterflies and taking pictures of them.
“It was a phenomenal migration that year and they just kept pouring in,” Smith said. “Over the years, I just kept at it.”
Smith bought a video camera and took it with her wherever she went.
Smith traveled to Mexico twice to film, and other parts of the project were shot in Gloucester. She said she enjoys incorporating Cape Ann because it’s a “special and unique place” that’s full of hardworking people.
“I love my community, I love the people in my community. It’s truly my home,” Smith said.
Smith then reached out to the Boston International Kids Film Festival, who helped her through the process of presenting her film.
The festival, taking place November 20-22, will be held virtually due to the coronavirus.
The festival includes 70 animated short and narrative films from 17 countries, all directed towards children.
Laura Azevedo is the executive director of the festival, who said it’s important to help creators get their stories out to the world.
“We’ve been a resource for independent filmmakers all over the country,” Azevedo said. “It’s a lot of fun and I’m looking forward to it.”
Azevedo said Smith’s film will do a great job connecting with children. Kids will get access to the movie and a zoom link to interact with Smith about butterflies and the filmmaking process.
“Kim’s film is an example of one where we work with schools as well,” Azevedo said.
Smith hasn’t just helped the environment on-screen. Kim Smith Designs was launched in 1985, and Smith has designed and maintained gardens in locations such as Gloucester, Cambridge, and Andover.
The award-winning landscape designer now brings her talents to the screen, and said she appreciates the Boston International Kids Film Festival for highlighting her findings.
“It’s grown and grown and grown over the past eight years,” Smith said. “Filmmakers are provided an opportunity to showcase their work.”
Her film will be during block #3 of the festival on Saturday, Nov. 21 at noon. To purchase tickets to the festival, visit this link: https://bikff.org/schedule/
“Filmmaking is one of the best ways in the world to communicate,” Smith said.
Joseph Barrett is a senior communication student at Endicott College.
So looking forward to tonight’s opening of the Boston International Kids Film Festival! The show’s opener is the outstanding film, The Biggest Little Farm, and there is a full lineup of over 65 films scheduled from now through Sunday. See the schedule and how to purchase tickets here.
Beauty on the Wing is playing during Block #3 at noon on Saturday, November 21st, followed by a Q and A.
Who doesn’t love The Cranberries “Dreams,” and one of my favorite covers of this beautiful song is by Mandy Lee and MisterWives. I edited a rough cut of Monarch Dreams this afternoon, with clips from Beauty on the Wing and set to “Dreams.” That my film is at last finding an audience is a dream come true for me.
I dream about Monarchs and other creatures nightly and am thinking about ways to make Monarch Dreams more dream-like, but in the meantime, I hope you enjoy this cut <3
In case you missed previous posts and emails, if you would like to see my Monarch Butterfly film documentary, please consider watching Saturday, November 21st, from the comfort and safety of your own home, via the Boston International Kids Film Festival and WGBH. 100 percent of the ticket sales goes to support this outstanding festival! There will be a Q and A following the screening, with me in the role of director, and hosted by WGBH and Filmmakers Collaborative.
With beautiful music by Jesse Cook and filmed on Cape Ann, Cape May, Santa Barbara, and the butterfly sanctuaries at Cerro Pelon and Angangueo, Mexico. Please share with friends and click the link below to learn more.
Block #3 Beauty on the Wing: Life Story of the Monarch Butterfly
Tonight I am presenting a Zoom screening/presentation of Beauty on the Wing to a private group. The screening was scheduled a year ago, before covid, and was planed to be live. The organizers have been super throughout the planning changes. This is the first time doing a screening not through a film festival and I am on pins and needles. I hope they love the film and that there are no technical glitches! If all goes well, I would love to do more of these and will let you know. <3
The Monarch Butterfly migration is at tremendous risk. Herbicides such as Bayer’s/Monsanto’s Roundup and Roundup Ready crops have already had a profoundly negative on the Monarch population as well as myriad spices of bees and other butterflies.
The current administration’s EPA is recklessly promoting use of some of the world’s most dangerous pesticides and has approved over 100 products with pesticides banned in multiple countries or slated for US phase out.
For example, and just the tip of the iceberg, the current administration gave a green light to Chlorpyrifos an insecticide with origins in Nazi Germany, which was set to be banned by the EPA over health and environmental concerns. The current administration reversed the decision after Dow Chemicals, a manufacturer of the chemical, donated one million dollars to his inauguration fund.
Vote for the Monarch Migration!
For all our winged wonders,
For the birds, the butterflies, the bees,
For the future of the littlest human wonders that we so cherish.
Excerpt from Beauty on the Wing: Life Story of the Monarch Butterfly
Thank you, thank you, thank you to Joann Mackenzie, Andrea Holbrook, and the Gloucester Times for the beautifully written story“Butterfly Film Takes Flight”.
Ten years in the making, Kim Smith’s butterfly film takes flight
Kim Smith’s monarch movie 10 years in the making
GLOUCESTER TIMES OCTOBER 28, 2020
By Joann Mackenzie Staff Writer
Every story has a back story, and Kim Smith’s back story began in her backyard.
In the mid 1990s, Smith — an award-winning landscape designer — filled her Gloucester garden with native and pollinator plantings that attract all manner of winged creatures. These, thanks to lots of milkweed, included lots of magnificent monarch butterflies. “I just loved them,” says Smith, “I wanted more and more of them.”
There began a tale that this year saw Smith complete a 10-year project, the making of the 56-minute documentary “Beauty on the Wing — Life Story of the Monarch Butterfly.” In a few short months, and despite the pandemic canceling its local premiere, the film has seen its way to six film festivals, all virtual, the latest of which — the Boston International Kids Film Festival — runs Nov. 20 to 22.
American Public TV Worldwide —the world’s largest distributor of educational television has just signed the documentary for global distribution.
Armed with a handheld digital camera, an artist’s eye, and a love of her subject, Smith has captured the life, work and world of what she calls “this charismatic little creature,” beginning with its metamorphosis from a tiny egg, to its amazing annual journey from the summer shores of its Gloucester habitats to its winter habitats in the Mexican mountains and forests of Michoacán, where the monarchs annual arrival has long been regarded as something of a miracle: the returning of the souls of the dead descending from the sky in fluttering orange clouds, to roost by the millions in the trees.
When she began the project in 2006, Smith knew nothing about filmmaking. Photographing the monarchs, first as “a record,” she was urged on by family and friends. One of them, Gloucester’s late historian Joe Garland, was particularly encouraging. “Oh, I thought, I have to learn to make a film,” she recalls, of her early days learning the basics with Andrew Love and Lisa Smith at Cape Ann TV (now Studio 1623).
Investing in a hand-held HD Canon video camera, Smith began shooting digital. “It was small and so easy to use that I could crouch down, or lie down to capture extreme close-ups,” she says. Supported by community fundraising that covered the $35,000 production budget, she shot “tons of footage over the years,” wrote and recorded the narrative script, and saved on post production costs by teaching herself to digitally edit her film.
Her goal, she says, was not just to celebrate the monarch, but to educate viewers about the plight of this creature that is loved around the world. Indigenous to North America, these light, bright orange butterflies have through the centuries been blown by wind and weather to other continents, including England, where, in the late 17th century, they were named in honor of King William III of England, also known as the Prince of Orange.
In the last 20 years, however, the butterflies’ numbers have plummeted worldwide from a billion to 30 million, as the excessive use of herbicides has killed off much of their main food source —milkweed— while climate change has confused their flight patterns. And in Mexico, the logging of trees has sabotaged the delicate ecosystem of their annual return.
Smith’s film joins a growing body of environmental activism on behalf of the monarch butterfly. Gardeners across the nation have, like Smith, filled flower beds with milkweed to feed their numbers. The Obama administration, concerned by its alarming decline, allocated $3.2 million to protect it.
In making her documentary, Smith traveled to Mexico twice to film, and learned firsthand just how endangered the monarchs have become. Over time, she says, she came to see monarchs as “little gateway creatures that can open the way to for people to learn about other endangered creatures.”
At Good Harbor Beach, a favorite early morning photographic haunt, Smith began to turn her camera to another local endangered species, piping plovers. Like the monarchs, the little shore birds rely on a fragile ecosystem that Smith began to take an active role in protecting, while filming them. With her monarch documentary now in worldwide release, the piping plovers are on their way to star billing in a new documentary, now in production.
Meanwhile, the Boston International Kids Film Festival, a program of Filmmakers Collaborative, will screen Smith’s documentary as “one of best that the world of independent filmmaking has to offer.” Shown for one week to schoolchildren across the city, the festival, which describes her documentary as “illuminating how two regions, separated by thousands of miles, are ecologically interconnected,” will then host a Zoom author event in which the students can engage in a Q&A which Smith herself.
Smith, by the way, doesn’t just train her talents on winged creatures. In yet another ongoing film project, she captures the aerial antics of Gloucester’s falling Greasy Pole walkers. That documentary, which celebrates the spirit of the city’s annual St Peters Fiesta, is well underway.
Gloucester resident Kim Smith is a documentary filmmaker, environmental conservationist, photojournalist, author, illustrator and award-winning landscape designer.
Her documentary “Beauty on the Wing: Life Story of the Monarch Butterfly” was released in February. It has been chosen as an official selection at New Haven Documentary, Nature Without Borders International, Flickers’ Rhode Island International , Docs Without Borders , WRPN Women’s International, and Conservation Wildlife film festivals.
It next shows at the Boston International Kids Film Festival (https://bikff.org/schedule/) on Nov. 20 to 22; tickets start at $20. Links to view the film will be provided upon ticket purchase.
New Haven Documentary Film Festival presents a Q&A w/Beauty on the Wing: Life Story of the Monarch Butterfly director Kim Smith.
A Q&A, , moderated by NHdocs festival supervisor Karyl Evans, which accompanied the virtual screening of the feature documentary Beauty on the Wing: Life Story of the Monarch Butterfly at the 7th annual edition of NHdocs: the New Haven Documentary Film Festival in August 2020.
With thanks and gratitude to New Haven Documentary Film Festival director Gorman Bechard and interviewer Karyl Evans for this interview. I am so appreciative of the support given to filmmakers by these two, filmmakers themselves. The festival was beautifully organized and I have received so much positive feedback. What an honor to be accepted!
With thanks to all of you who so very kindly have shown support towards Beauty on the Wing: Life Story of the Monarch Butterfly, I have wonderful news to share. The fundraiser allowed me to complete my documentary, including masters for television broadcasting, and we have a beautiful finished film, worthy of the story of the Monarchs. I worked with an outstanding, talented editor and film finisher, and all around terrific person, Eric Masungua, who owns Modul.US Studios, which is located in the Boston area. Getting a film off the ground during the pandemic has been a challenge and while submitting to film festivals, I jumped ahead a bit and have also been speaking with distributors. I am so happy to share that I signed a contract this week with American Public Television World Wide. APTWW is the largest distributor of educational content in the world and it is a dream come true for Beauty. One of the main objectives in creating the film was to distribute to schools, libraries, and other institutions, as well as translate the narration into Spanish for our south of the border neighbors.
American Public Television World Wide is different from American Public Television Domestic. APTWW distributes to schools, libraries, governments, online, foreign countries, the travel and leisure industry, etc. APT Domestic distributes content to public television stations. I have also been offered a contract with APT Domestic, although one is not contingent upon the other. I did not know that people pay to have their films and shows aired on public television. For example, when you see at the beginning of a broadcast “this show was made possible by the Anninger Foundation,” the Anninger Foundation sponsored the broadcast with many thousands of dollars, paid to PBS. So, the next step for Beauty on the Wing is to approach foundations for sponsorship.
I want to give a huge shout out to Filmmakers Collaborative. FC is a fiscal sponsor for filmmakers and I was made aware of this stellar organization by my friend Nubar Alexanian. FC’s director, Laura Azevedo, and her assistant Kathleen Shugrue, handled the financial aspects of fundraising impeccably. Not only that, but I learned so much about launching a film from the workshops and webinars that they sponsor throughout the year. Filmmakers Collaborative is a tremendous resource for filmmakers. You can visit their website here to learn more about all the programs that they offer, as well as the films they sponsor. I was recently interviewed for the FC website about the making of Beauty and you can read the interview here: Capturing Beauty on the Wing
We’re still planning a local premiere and showings. Signing the contract with APTWW did not preclude that and as soon as the pandemic allows for safe viewing, we’ll have an in person local premiere.
Again, I just want to thank all of you who have supported Beauty on the Wing. I think when you (finally!) see the film, you will be proud that you did.
My family and I had wonderful fun looking for Comet NEOWISE, a once in approximately 7,000 year occurrence. I wish my first attempt at astro-photography hadn’t been of such an epic event. I hope to try star gazing photography again, armed next time with a bit more knowledge 🙂
Friday afternoon into evening the light was spectacular in our neighborhood, The fog was coming and receeding in waves. At moments the sun was shining brightly, seconds later, the sun and anything ten feet in front of you was obscured.
Beautiful foggy Friday afternoon into evening. I have a bunch to post from this foggy afternoon and will do so tomorrow when I have more time, but isn’t this one scene evocative? I filmed it as well, with the waves crashing into Mother Ann in the fog and will add it to my YouTube show, “Good News Cape Ann!’ airing Sunday night. See you then 🙂
How disappointing to see the Monarch numbers plunge to less than half of last year’s population. Scientist Chip Taylor from Monarch Watch predicted lower numbers, but not to this degree. It’s hard to believe, especially after witnessing the tremendous numbers at Cerro Pelon in 2019, along with the beautiful migration through Cape Ann last summer.
Plant a variety of milkweeds and wildflowers to help the Monarchs on their northward and southward migrations
The chief reasons for this year’s loss of Monarchs are decreasing amounts of wildflowers on their migratory route south, bad weather during the 2019 migration, and the continued spraying of deadly chemical herbicides and pesticides on genetically modified food crops.
As we are all aware, Monarch caterpillars only eat members of the milkweed (Asclepias) family, but the plant has been devastated by increased herbicide spraying in conjunction with corn and soybean crops that have been genetically engineered to tolerate direct spraying with herbicides. In addition to glyphosate (Monsanto’s Roundup, which is now owned by Bayer), Monarchs are threatened by other herbicides such as Dicamba and by neonicotinoid insecticides that are deadly poisonous to young caterpillars and decrease the health of adult butterflies.
In 2014, conservationists led by the Center for Biological Diversity and the Center for Food Safety petitioned the U.S. Fish and Wildlife Service to protect the butterfly under the Endangered Species Act.
The decision on Endangered Species Act protection will be issued in December of this year under a settlement with the conservation groups. The low count of 2019-2020 reinforces the need to protect what we already know to be an endangered species.
Hello Friends on this rainy, windy day. People’s holiday weekend ran the gamut from joyful to tragic and I so hope yours was not too difficult and you were able to find some light. It was such a beautiful day weather-wise yesterday and if there is one thing about the coronavirus is how wonderful it is to see so many families enjoying each other’s company while out in the fresh air.
Part four, Snowy Owl Takes a Bath, was filmed early one morning. I stopped by to check on Snowy Owl (her nickname at the time was Hedwig) and noticed her face was stained red from breakfast. I only planned to take a few snapshots when she hopped over to a rocky tide pool and began to wash her face. I ran back to the car to get my movie camera and am so glad I did! For the next 40 – 45 minutes she bathed, preened, and fluffed.
I am calling this rare footage because I can’t find anything else like it. Unlike most owls, which are nocturnal (active at night) Snowy Owls are active during the day (diurnal), providing a rare glimpse into the world of owls in the wild.
To see all four episodes together, please go to the Snowy Owl Film Project page on my website. These shorts were created for the kids in the Cape Ann community during this at-home schooling time. The last segment, part five, Snowy Owl Returns to the Arctic, is almost completed and will be posted later this week.
Thank you for watching!
Again, thank you to Scott Weidensaul from ProjectSNOWstorm for script advice.
A Snowy Owl Comes to Cape Ann
Part Four: Snowy Owl Takes a Bath
After a snow squall and as the sun was beginning to appear, a Snowy Owl came out to take a bath. She found a watery icy pool tucked out of sight from dive bombing crows and gulls.
Snowy Owls, like most non-aquatic birds, take baths to clean their feathers.
First washing her face, she tip-dipped and then dunked. After bathing, Snowy fluff dried her feathers, pooped, and preened. During preening, oil from the preen gland, which is located at the base of the tail, is distributed through the feathers to help maintain waterproofing.
Washing, fluffing, and preening took about forty-five minutes from head to talon.
A new twist on a dream home -living in a Lighthouse House. The private home is sited at the beginning of the wooden Powder Point Bridge.
Wonderful fun to drive across Powder Point Bridge, which was at one time the oldest and longest wooden bridge in the US. It lost that status when the bridge was damaged by fire and completely rebuilt in the late 1980s. The bridge is one of two ways for the public to access Duxbury Beach.
Duxbury Beach, like Crane Beach and Plum Island, is a barrier beach that is home to Piping Plovers in the summer and Snowy Owls during the winter months. Read more about Duxbury Beach here.
“Our mission is to restore and to preserve the beaches in so far as reasonably possible in their natural state as host to marine life, native and migratory birds and indigenous vegetation, as barrier beaches for the protection of Duxbury and Kingston and as a priceless environmental asset to the Commonwealth and the nation; and to operate for the benefit of the people of Duxbury and the general public a public recreational beach with all necessary and incidental facilities, while preserving the right to limit and regulate such use so as to be consistent with the corporation’s primary ecological objective.”
So much history in these beautiful old lighthouses. It’s a joy to see a Massachusetts lighthouse so well maintained. If you read more, you’ll also learn that CPA funds were used to restore this local, regional, and national treasure.
We took photos from the grounds of the lighthouse, and from all around Scituate Harbor.
In May, 1810, the US government appropriated $4,000 for a lighthouse to be built at the entrance of Scituate Harbor. The lighthouse was completed two months ahead of schedule, on September 19, 1811, making it the 11th lighthouse in the United States. In September, 1814, during the War of 1812, Rebecca and Abagail Bates warded off an attack by British soldiers by playing their fife and drum loudly. The British retreated since they thought the sound came from the Scituate town militia.
In 1850, the lighthouse was removed from service due to the construction of the Minot’s Ledge Light. It was put back into service in 1852, after a storm destroyed the first Minot’s Ledge Light, and it received a new Fresnel lens in 1855. In 1860, the light was once again removed from service after the second tower at Minot’s Ledge was built. Over the next 60 years, the lighthouse fell into disrepair.
In 1916, the lighthouse was put up for sale, and in 1917, it was purchased by the town of Scituate for $4,000.
In 1930, a new replica lantern was added. In 1962, the lighthouse was in a state of disrepair. The Scituate Historical Society appropriated $6,500 for repairs. The lighthouse was placed on the National Register of Historic Places in 1988. In 1991, the lighthouse was relit with the light visible only from land; the light was made visible from sea as a private aid to navigation in 1994.
Occasional tours are available from the Scituate Historical Society. The keeper’s house is a private residence.
Although it is the fifth oldest lighthouse in New England and the eleventh oldest in the United States, Scituate Lighthouse, on the South Shore of Boston, Massachusetts, is far more famous for the actions of two quick-thinking girls — The Army of Two. These heroines of the War of 1812 lived at Scituate Lighthouse and have been immortalized in a number of books and publications.
While Scituate’s small, protected harbor encouraged the growth of a notable fishing community, mudflats and shallow water made entering the harbor tricky. In 1807, the town’s selectmen were petitioned by Jesse Dunbar, a shipmaster, and other residents to construct a lighthouse, and in 1810, Congress appropriated $4,000 for the task.
Unlike sites where the land was purchased, the plot on Cedar Point was seized under eminent domain. Its disgruntled owner Benjamin Baker later denied access through his land and feuded with the first keeper.
Three men from nearby Hingman—Nathaniel Gill, Charles Gill, and Joseph Hammond Jr.—built the one-and-a-half-story house, the twenty-five-foot-tall, octagonal, split-granite-block tower, a twelve-by-eighteen-foot oil vault, and a well for $3,200. The trio managed to finish the work in September 1811, two months ahead of schedule, and Captain Simeon Bates was appointed first keeper that December. Captain Bates, his wife Rachel, and their nine children lived at the lighthouse, where Bates remained in charge until his death in 1834 at seventy years of age.
The Boston Mariner’s Society proposed that Scituate Light be eclipsed and some of its range obscured to differentiate it from the fixed Boston Light. Some sources say the light was first lit in September 1811, but a Notice to Mariners published in January 1812, gives the date as April 1, 1812. When Boston Light was eclipsed and Scituate was established as a fixed light, many mariners were dismayed.
On June 11, 1814, during the War of 1812, British forces burned and plundered a number of ships at Scituate. A few months later, Keeper Bates and most of his family were temporarily away from the light, leaving his twenty-one-year-old daughter Rebecca and her younger sister Abigail in charge, along with a younger brother. The girls were horrified to spy the British warship La Hogue anchored in the harbor along with redcoat-filled barges rowing toward shore. Hurriedly, they sent the boy running to warn Scituate Village.
Rebecca knew she could kill one or two of the British with a musket, but realized the others would retaliate on the village. And during the embargo, the town could scarcely stand to lose the two vessels at the wharf loaded with flour.
Rebecca told her sister to take up the drum and she’d grab her fife. “I was fond of military music and could play four tunes on the fife —Yankee Doodle was my masterpiece,” Rebecca said. The girls hastily took cover behind a dense stand of cedar trees, playing louder and louder hoping to deceive the British into believing an American militia was massing to meet them. The British withdrew, and thus the famous story of Scituate’s Army of Two was born. The fife played by Rebecca is still on display in the keeper’s house.
Records show the British ship La Hogue was at another location at the time, but research indicates the story is likely true; the sisters were simply confused about the name of the vessel. There are those who claim that even today the sound of the drum and fife can be heard in the wind and waves at Scituate.
In 1827, complaints from mariners led to the construction of a fifteen-foot-tall brick extension to the original granite tower and the installation of a new lantern room to increase visibility. Red bricks were mortared atop the existing granite blocks to add the needed height. After the addition, seven lamps and reflectors produced the fixed white light that shone from the lantern, while eight lights and reflectors produced a red light from windows fifteen feet lower in the tower. Red glass laid in front of the windows imparted the red characteristic.